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Introduction Australian attitudes towards spirituality appear to be undergoing a
profound and dramatic change. Not long ago, many of us in this country
thought of spirituality in negative terms, as antisocial, irrational or
unscientific, perhaps even as morbid. Spirituality received bad press,
and consequently we have lived in a culture in which it was suppressed
or ignored. Until the last decade or so, Maryanne Confoy wrote
recently, most people thought of spirituality, if they thought of
it at all, as something for other people. Spirituality was rejected
in favour of common sense, social reality, and an extraverted
attitude to life; in other words it was regarded as otherworldly.
Almost all radical theories of human liberation in recent times (Marxism,
feminism, psychoanalysis) have been reductively materialistic and antispiritual
in character. Some of these theories are beginning to restate their basic
arguments, with a view to including the transformative potentials of the
sacred. But for the most part, Australian intellectual culture has remained
steadfastly secular, and this has driven a wedge between those who think
about this world and long to change it (the social reformers)
and those who reflect on the other world and long for redemption. This typical dualism between spiritual and social worlds is false, and
it has a debilitating effect on our revolutionary zeal our desire
to change the world quickly runs out of steam, because it is not being
replenished or directed by the spirit. We do not have the mental capacity
to bring about lasting change in this world until we have opened ourselves
and our culture to the transformative possibilities of the sacred. The
rational part of us lacks the resources to initiate real change, even
as it seems to be motivated by pragmatic ideals. Nothing great or lasting
can be achieved with purely secular motivations. The sites of spiritual renewal This shift is certainly taking place, but it is so diffuse that it is difficult to define or name, especially in view of this cultures continued official protest that it is secular and non-religious. Broadly, the areas that appear to be giving rise to a new spirituality in Australia include the experience of nature and landscape, the environmental emergency, Aboriginal reconciliation, the visual arts, popular life-history and story-telling, biography, autobiography, public interest in Eastern religions, contemporary youth culture, progressives in the churches, the therapeutic and menta lhealth professions, workplace relations, human resources and industry leadership, social analysis, the naturalhealth movement and the re-enchantment of gardens and herbs, the popular mens movement, the spiritual womens movement, and a kind of generalised hunger for personal and cultural renewal. In other fields, spirituality is becoming an important issue in theory of culture and society, education theory, theory of personality, theoretical physics, anthropology, Australian theology, feminist theology, postmodern theory, Aboriginal cultural studies, outdoor education, and nursing and health studies. (The references provided in the notes for these sites of spiritual renewal are highly selective; their purpose is to indicate activity taking place in the field, not to provide comprehensive listings. Some overseas titles have been included, to point to international sources that are now influencing debates here in Australia. But also note that some overseas titles on spirituality are written by Australian authors.) It would be wonderful to discover a thorough, non-sectarian study of the spiritual renewal taking place in Australian public and professional life, but no such study yet exists. It is still too early, and the renewal is too vast and covers too many disciplinary fields to be encompassed by any single researcher. But there are interdisciplinary postgraduates working on certain aspects of the bigger picture, including Simon Harvey and John Fisher, who are mapping parts of the new public story that is emerging. The cartoons, drawings and prayers of the artist Michael Leunig have, almost single-handedly, whetted the nations appetite for spiritual exploration. Leunig deserves to have an entire book written about his long career, its influence upon the arts and social attitudes, and his momentous lifting of the bans and repressions on Australias hidden spirituality. The creative arts and literature in this country have always been concerned with spiritual themes and interests, and we need only mention the names of Leunig, Arthur Boyd, Peter Sculthorpe, Patrick White, Les Murray, Judith Wright and Tim Winton to confirm this point. But it remains a curious problem, and a symptom of the divided nature of the Australian psyche, that the spiritual themes of our artists have been ignored, denied or repressed by the intellectual-critical culture that pretends to interpret the arts for the nation and for its educational institutions. The art historian Jane Magon is attempting to unravel and redeem the lost spiritual dimension of Australian art. I will explore later in this book the problems that arise when an ostensibly secular society, led by sophisticated and non-religious ruling elites, is confronted by the fact that most of its important artists are visionary or spiritual in character. The work of our major artists subverts the pose of secularism that governs the nations outward style, so that the arts constantly put forward a challenge to our society, a challenge that is rarely integrated by society. This creates a deep-seated tension in Australia between the artists and the intellectuals, since the artists are advocating (re)enchantment from the depths of a prophetic imagination, while the intellectuals are promoting disenchantment and an ironic vision of the world. Tensions and frictions abound in Australian cultural history, where the artists vision of a deeply spiritual inner life comes into collision with the official national persona: young, free, aggressively secular and postreligious. Veronica Brady deserves special mention for her relentless struggle to bring forward the repressed spirituality of the arts in Australia, and to expose the systematic denial of the sacred that takes place in secular high culture. In the realm of broadcasting and media, Geraldine Doogue and Caroline Jones have worked extremely hard to lift the bans on the sacred and to introduce this subject into normal public discussion. One is no longer dubbed a freak or a clown if one talks about spirituality. Australia dislodged from the comfort zone ©2000 David Tacey |
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